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“Atlas of the Invisible” ($40) takes this literally, with design-heavy info-mapping of cellular connections in the Great Lakes, eviction rates, the ethnicity of immigrants living on South Halsted Street in 1895. Its variety, and familiarity, reveals how our ideas of global art are pretty outdated.Ī whole new world: You know you have received a good gift book when you look up and the landscape seems different. Here we get more than 300 artists, sample works, a bit of curatorial context, like an exhibit you can tour on your own time. Same for the continent-spanning “African Artists: From 1882 to Now” ($70), another terrific history-in-a-book from of Phaidon. Sounds like a one-note joke, yet here are classics remade for monkeys, faux jewelry, mansplaining. So we get Leona da Vinci, Paula Klee, etc. Canadian artist Anita Kunz (best known for her New Yorker covers) reimagines the history of art as female. “Another History of Art” ($25), however satiric, performs a similar kind of magic. Beautiful as this survey comes off, you have to experience firsthand the pastiche of fabrics, paints, rhinestones that mark Thomas’ works.
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Wisely, aside from an introduction by Roxanne Gay, the art speaks for itself here, domestic spaces full of reclining Black women, transcendent and matter of fact, all at once. Your museum, reworked: That the bright, textural collages of “Mickalene Thomas” ($125) are still mostly enjoyed by those grounding in contemporary art is a crime. There’s even a fun batch of angry author letters. A 1902 editorial knuckle-raps the “prurient prudes” of an Evanston library for excessive censorship. Archival photos, ancient book advertising, Q&As. Auden reviews Tolkien (“No fiction I have read in the last five years has given me more joy”), Pynchon reviews Marquez Zadie Smith punctures her own acclaim (“A lot of the book is an exercise in ‘Look at me’”). That said, “The New York Times Book Review: 125 Years of Literary History” ($50) is the gem here, the must-have, a trove of what-to-read-nexts, drawing on history with authority. But the heart is solid: Gale’s interpretations of the beasts that Baum (working in Chicago) dreamed into his 14 Oz books, alongside earlier illustrations. “The Art of Oz: Witches, Wizards & Wonders Beyond the Yellow Brick Road” ($40) somewhat annoyingly begins with the premise that Oz is real artist Gabriel Gale even includes a Google “map” of Oz. It’s a recommendation party, full of Jane Mount’s Insta-ready illustrations, broken into memoir, horror, classics, coming of age, etc. Books on books: If there’s someone in your life always reading, here you go: “Bibliophile: Diverse Spines” ($19), a one-stop snapshot of (the dedication explains) “marginalized writers and readers” and their books.